Showing posts with label Joakim. Show all posts
Showing posts with label Joakim. Show all posts

Tuesday, 16 June 2009

Tinklin' the Ivories


They say everything is cyclic, and that often tends to be true. But periodic function has a lot to answer for, who could have foreseen the re- emergence of flourescent gym socks or Peter Andre?

What with the inevitable fall-out of the economic climate only now starting to come to into focus, what can history teach us? A recent expose of Thatcher's legacy in The Guardian offered a broad landscape of opinion that her anti- culture stance actually acted to create a fertile environment for some fine British independent films and music.

But come 2009, with a sleaze- ridden cabinet, inevitable vultures circling round No. 10 and rise of the BNP what can Gordy do?

Get some musical accompaniment and maybe take a leaf out of the PNP in Jamaica.
They were boosted by the vocal encouragement of one Cutty Ranks, seen here in raucous form at a PNP Rally in 1986...



So with Gordon on the rocks and his concern for recent #BGT finalist Susan Boyle, surely a sly ploy to boost his ratings and provide his D- REAM moment, may I suggest he takes a look in the history books and see a return to piano- driven house is surely on the cards...

Two recent efforts from Aeroplane and Joakim, heavy on the ol' joanna.

Baby I Can't Stop (Aeroplane Remix) - Lindstrøm & Solale

Joakim - Watermelon Bubblicious

Sunday, 10 May 2009

Love and Romance and a Special Person


The problem with love and romance is that it is so very hard to tell when someone is truly special. Everyone could probably recall at least one burning passion that lit up a few nights, but grew cooler over time, as we discover that what we thought was love, was little more than lust. Things cool down as quickly as they got hot and that person, who should never have been anything other than a fling, gets chucked.

This also happens with music. If you take an honest look at your record collection, you will be sure to come across a few acts that you fell head over heels in love with, raved about to all and sundry, before realising that they were not really what you were looking for. Once you get passed the shiny beats or the spiky guitars, they become a bit repetitive, or have little to say lyrically; in short, like the hot airhead or the intelligent munter, they are just not ticking enough boxes.

Entire genres can be like this too. Like disco. Its re-emergence a couple of years ago was exciting and the right record played at the right time was enough to sex up even the dullest of nights. However, the allure has proven too much for the public at large and it is D-I-S-C-O every which way you turn your ears. That is not to say that the genre is a washout, far from it, but what was a glittering affair should have remained that. Stretching those moments of guilty pleasure over whole nights is stretching them thin.

Despite this, or perhaps in spite of this we keep on searching for that special someone or something that lasts, that is not only all the things we want, but has the capacity to surprise and excite time and time again.

Like Joakim (and the Disco).

Joakim and the Disco- Love and Romance and a Special Person